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Takeji Asano

Takeji Asano(1900-1999) combines several of the typical activities of 20th century woodblock artists. He was trained at art schools in Kyoto and started out with oil painting. He then transitioned to woodblock printing within the Sōsaku-hanga (creative prints) movement.

PrintsBiography
Japanese woodblock print - Takeji Asano - Shimotsui in the Inland Sea
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Shimotsui in the Inland Sea

€200.00

Japanese woodblock print - Takeji Asano - Rain in Shinnyodo

Rain in Shinnyodo

€130.00

Japanese woodblock print - Takeji Asano - Early Spring in Fushimi Kyoto

Early Spring in Fushimi Kyoto

€130.00

Japanese woodblock print - Takeji Asano - Rain in Higashi-Honganji Temple, Kyoto
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Rain in Higashi-Honganji Temple, Kyoto

€135.00

Japanese woodblock print - Takeji Asano - Snow in Kamigamo Shrine, Kyoto

Snow in Kamigamo Shrine, Kyoto

€140.00

Japanese woodblock print - Takeji Asano - Twilight in the Village, Nara

Twilight in the Village, Nara

€130.00

Japanese woodblock print - Takeji Asano - Kiyamachi Street, Kyoto
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Kiyamachi Street, Kyoto

€130.00

Japanese woodblock print - Takeji Asano - Bamboo Grove of Saga

Bamboo Grove of Saga

€130.00

Japanese woodblock print - Takeji Asano - Spring in Kurama temple

Spring in Kurama temple

€130.00

asano takeji moonlight in yasaka pagoda 0370 scaled
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Moonlight in Yasaka Pagoda

€130.00

Japanese woodblock print - Takeji Asano - Drizzling rain in Ukimido

Drizzling rain in Ukimido

€130.00

Japanese woodblock print - Takeji Asano - Early Summer in Sanzen-In
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Early Summer in Sanzen-In

€130.00

Biography

Takeji Asano(1900-1999) combines several of the typical activities of 20th century woodblock artists. He was trained at art schools in Kyoto and started out with oil painting. He then transitioned to woodblock printing within the Sōsaku-hanga (creative prints) movement. As such, he created prints from start to finish, drawing, carving and printing them himself. In the 1950 he switched to the process used by the Shin-hanga (new prints) movement which adhered to the division of labor used by traditional ukiyo-e artists. For these prints he only drew and cooperated with carver, printer and publisher to achieve the final result. Later on he turned to a more individualistic and novel style and kept creating until the very last years of his long life.

Worldwide free insured shippingNo custom costs for the US, EU, UKCustomer service in EN, FR, NL, DE
Contact