Itsukushima Shrine at Miyajima

Description

The composition depicts Itsukushima Shrine at Miyajima. This is a Shinto shrine on Miyajima, otherwise known as Itsukushima Island. The shrine comprises many buildings, and two are visible in the foreground of Ito Yuhan's print. In the background, the famous floating torii gate of Itsukushima Shrine is visible. Such a gate marks the transition from the everyday world to the sacred world, and torii gates are found at Shinto shrines throughout Japan. The torii at Itsukushima is unusual as it stands in the water, the rationale being that visitors were most commonly expected to arrive by sea. The torii gate on Miyajima has been depicted more often by woodblock artists, for example by Tsuchiya Koitsu with Rainy Miyajima, Summer Moon at Miyajima or Kawase Hasui with Snow at Miyajima. These provide a useful point of comparison for the woodblock prints by Ito Yuhan. In his design, Ito Yuhan shows the torii at high tide, at night, with mist, and the full moon shining through. These are conditions in which Ito Yuhan's style is at its most effective. The night, reflections in the water and the mist all serve to soften and dilute the light of the moon. Ito Yuhan's pastel-like colors, the use of many gradients and bokashi shading and the absence of sharp keyblock lines all serve much the same purpose, leading to a soft and diluted, watercolor-like artwork, perfectly suited to capture these circumstances. Similar techniques are used by Ito Yuhan in all of his woodblock prints, but as in the current scene they have their full effect in Boats in the Sunset Glow, Ukimido at Lake Biwa, and Kiyomizu Temple, Kyoto.