Nishijima Katsuyuki – A Warm Day in October

Original woodblock print, hand-signed and numbered 53/80 by the artist. First published in 1994.

The viewer looks over houses in the village of Asuka, an official historic town, which has led to the preservation of its historical sites. The title indicates that the day depicted is a pleasantly comfortable one in autumn, and could also be translated to Indian Summer, in English. Though subtle, the general atmosphere reflects this as well, and it is one of Nishijima Katsuyuki’s strengths as an artist to be able to capture the gradual changes through the progression of days, seasons and weather.

This woodblock print is one of the few largest works Nishijima Katsuyuki has created, and among the largest we have on offer. Producing woodblock prints of this size poses challenges for artists. While carving the woodblocks is more laborious, it is not significantly more complex; the real difficulty lies in the printing process, as the printer must apply pressure evenly over a much greater distance. Moreover, even the slightest misalignment becomes magnified at this scale, resulting in a significant deviation on the opposite end. Nishijima Katsuyuki is one of the few artists capable of working at this scale, though even he produced only a handful of designs this large.

Image size (excluding margins): 55.0 * 79.0 cm (21.7 * 31.1 in).

The print is in excellent state. There are irregularities in paper in the margins, most pronounced right margin, and a few very tiny spots at other places in the margins. The paper is slightly wavy.

The pictures shown here are from the print itself.

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Nishijima Katsuyuki (b. 1945) is a prolific and popular Japanese woodblock artist. He has been perfecting his art since half a century, working in the Sosaku Hanga (creative prints) style, and thus carving and printing all by himself.

He has developed a completely unique style, making his prints recognizable from across the room. Common themes are country side landscapes and city scenes. Here, the scenes do not show people or modern tools, creating a timeless beauty, where, to an extent, it is possible to imagine oneself being in the present or a century earlier just as easily.

Nishijima Katsuyuki signs his prints, but many of the designs are unnumbered. With many designs and possibly recurring editions for his unnumbered prints, it seems that it was possible for him to keep them relatively affordable.

See an overview of Nishijima Katsuyuki's woodblock prints